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Design Milk’s Friday Five profile examines Veronica Mishaan’s redesign of a 6,250-square-foot penthouse in Bogotá. The project refreshed the layout and finishes for the owners’ current needs while incorporating furniture, artwork and memories accumulated by the family over more than 30 years.
Design Milk has published a Friday Five interview with Veronica Mishaan about her redesign of a 6,250-square-foot penthouse in Bogotá, documenting how the renovation adapted the home for its owners’ current lifestyle while retaining furnishings, artwork and memories built up over more than 30 years. The project offers a detailed look at how the designer combined contemporary custom work with the family’s existing collection.
The penthouse had been in the owners’ family for more than three decades. Mishaan and her firm reworked its layout and finishes without treating the home as a blank slate. The design retained and repositioned existing furniture and art, including a desk that had stood in the living room and was moved to the primary bedroom. The source does not identify the owners or specify when the renovation was completed.
Among the changes were custom-tinted, wide-plank oak floors, smooth-plaster walls and a mix of recessed and decorative lighting. The primary suite was relocated and given navy wallcovering, a bed upholstered in paisley wool and custom shelving made with brass, wood and glass. Its bathroom combines pink marble flooring and walls with blue-and-white waterjet marble; a dressing room features mirrored walls, a parchment vanity and a curved velvet-upholstered bench.
Other spaces were tailored to the family’s use. Custom bunk beds were built for visiting grandchildren, while the family room layers dark blue grasscloth walls, a parchment-wrapped bookcase, patterned carpet and mohair upholstery. In the entry, a custom rug and a bronze sculpture from the family collection sit beneath a porcelain pendant. A cast-bronze staircase railing was formed using molds taken from a tree branch, according to the Design Milk report. Max Burkhalter photographed the project.
A Renovation Built Around Family History
The project shows how a residential redesign can respond to changing routines without discarding the evidence of a home’s earlier life. Rather than replace the owners’ accumulated objects, Mishaan’s approach brought them into a revised layout alongside pieces designed for the renovation. That balance is the central design challenge described in the interview: updating rooms while preserving their personal associations.
The penthouse’s custom interventions also show how the project connects practical changes to its visual concept. Relocating the primary suite and adding bunk beds addressed household needs, while the material choices and artwork helped give distinct character to the rooms. These are details of one private residence, not evidence of a broader trend, but they make the design decisions and their stated purpose clear to readers.
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From a Family Firm to Mishaan’s Practice
Mishaan told Design Milk that she grew up around design through her mother, Susana Mishaan de Millán, a designer working in Bogotá and Cartagena. After studying quantitative economics and international relations at Tufts University, Mishaan had considered pursuing painting. At her father’s encouragement, she began helping her mother’s interior design practice; what was expected to last six months became 16 years of work, she said.
Mishaan and her mother developed M De M Designs, creating bespoke interiors and furnishings. After six years, Mishaan took sole leadership and established Veronica Mishaan Design House. The interview says the practice now has offices in New York City, Bogotá and Bermuda and works on residential, hospitality, commercial and product design projects. For the penthouse, Mishaan said the Andes views informed the palette and landscape references, including sage-green millwork in the playroom and botanical imagery in the primary bedroom.
“The client wanted this home to be updated for a new stage of life, but did not want to erase all the memories made in the space over more than 30 years.”
— Veronica Mishaan, speaking to Design Milk
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Project Details Not Disclosed
The Design Milk report does not name the penthouse’s owners, give the building’s location within Bogotá, or state when the renovation took place. It also does not provide a project budget, construction timeline, or account of how much of the original layout was retained. The source presents Mishaan’s descriptions of the design brief and decisions; it does not include comments from the owners or independent evaluations of the finished home.
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No Further Project Update Listed
The source is a design profile rather than an announcement of a new project milestone. It offers no scheduled follow-up, construction phase or next event for the penthouse. Readers can refer to the Design Milk interview and project photographs for the available account; any additional details about the owners, budget or renovation timeline remain unreported in the supplied material.
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Key Questions
What is the Design Milk story about?
It is a Friday Five interview with Veronica Mishaan about the design of a 6,250-square-foot family penthouse in Bogotá.
What was the main goal of the renovation?
Mishaan said the owners wanted the home updated for a new stage of life without erasing the memories and furnishings associated with more than 30 years in the apartment.
Which parts of the home were changed?
The report describes a reworked layout, new flooring and wall finishes, a relocated primary suite, a redesigned primary bathroom and custom bunk beds for visiting grandchildren.
How did the Andes views influence the design?
Mishaan said the mountain views inspired landscape references in the interior, including earthy colors, sage-green millwork and botanical motifs.
Who photographed the penthouse?
Max Burkhalter is credited with the project photography in the Design Milk report.
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